Artist Sue Klau
Meet The Artist:​

About Sue Klau

Born in Chicago, I had the advantage of having the Art Institute of Chicago as one of my early playgrounds. I attended classes there from ages 8-18, then headed to Smith College where I majored in Art. Next, I earned my Masters in Art Education at Lehman College of CUNY.

My Art

While I have enjoyed working in the company of like-minded artists, either in local studios or at Art New England Summer Workshops, since Covid, I have discovered a new rhythm of creating art alone in my home studio. This has given me opportunities to spread out and compare my pieces, which in turn inspires new ideas.

Currently, my work is about more than making art: it is about making meaning in my life, finding space and peace. This is occupational therapy at the highest, most joyful level.

Painting 10.1

Artist Statement

My phone camera is my new sketchbook, capturing natural and structural forms; mundane images lure me.

Sewer covers, construction pipes, fire hydrants, and plant forms of all kinds become abstract works in my mixed media pieces. I use these photographs, cut up or copied onto tissue paper, to collage into my work or to make a silk screen. Technology is informing and assisting my work now.

My paintings morph from the first shape on the paper to what finally feels complete. The power and delight are in moving the materials, exploding the image, and creating new shapes and forms. Experimentation with materials, media, scale and space, structure and texture, whether in color or monotone, dictate the direction of my intuitive work.

- Sue Klau

Artist
Palimpsest and Pentimento: Painting from Nature in the Studio

Palimpsest: a manuscript or piece of writing material on which the original writing has been effaced to make room for later writing but of which traces remain.

Pentimento: a visible trace of earlier painting beneath a layer or layers of paint on a canvas.

My way of enjoying and celebrating nature is not as a pleine aire painter. Rather I use the wondrous camera on my iPhone both as a sketchbook and to discover how to convert these ideas to a larger scale. My goal is capturing beautiful images that draw my eye either in vista or close up. I also love drawing in a traditional sketchbook when I travel, and using pieces in later, larger works.
 
The paintings that begin with my sketchbook/camera are not spontaneous or unplanned. I develop them through a  detailed process of drawing, collaging, layering, and erasing, as I add and subtract materials, shapes, and forms. Other works are more intuitive, starting with an abstract or specific form, and letting color, shape, and serendipity lead me toward a satisfying image. I am interested in ideas gathered from what I see and read, and often these thoughts start my creative process.
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